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Assault On Precinct 13

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On 05.12.2020
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Assault On Precinct 13 Finden Sie Das Ende - Assault on Precinct 13 in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert. Das Ende – Assault on Precinct 13 im Fernsehen - TV Programm: Der Actionthriller ist das Remake des John-Carpenter-Films „Anschlag bei Nacht“ (​), der. Entdecke die Filmstarts Kritik zu "Das Ende - Assault on Precinct 13" von Jean-​François Richet: Silvester im verschneiten Detroit. Das heruntergekommene

Das Ende - Assault on Precinct 13: Kritiken

Das Ende – Assault on Precinct 13 im Fernsehen - TV Programm: Der Actionthriller ist das Remake des John-Carpenter-Films „Anschlag bei Nacht“ (​), der. Die Single 12" John Carpenter: Assault On Precinct 13/The Fog (Limited-Edition) (Picture Disc) jetzt portofrei kaufen. Mehr von John Carpenter gibt es im Shop. Ein Gefängnistransport mit Schwerkriminellen bleibt im heftigen Schneegestöber unweit des Reviers 13 liegen. Die Häftlinge, darunter der skrupellose Mörder Marion Bishop, werden für die Nacht in die dort liegenden Zellen gesperrt. Als plötzlich.

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Assault on Precinct 13 Theme (Dance with the Dead remix)

Ein Gefängnistransport mit Schwerkriminellen bleibt im heftigen Schneegestöber unweit des Reviers 13 liegen. Die Häftlinge, darunter der skrupellose Mörder Marion Bishop, werden für die Nacht in die dort liegenden Zellen gesperrt. Als plötzlich. Das Ende – Assault on Precinct 13 (Originaltitel: Assault on Precinct 13) ist ein US-amerikanischer Spielfilm aus dem Jahr Der Film ist eine Neuverfilmung​. Assault – Anschlag bei Nacht (Originaltitel: Assault on Precinct 13) ist ein Action-​Thriller von Regisseur John Carpenter aus dem Jahr Er ist Carpenters. Finden Sie Das Ende - Assault on Precinct 13 in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert. Assault on Precinct 13 () IMDb 1h 49min R Run-down Precinct 13 is about to close its doors forever. But everything changes when some of Detroit's most lethal prisoners arrive. Night of the Living Dead without the living deads! Assault on Precinct 13 is a clever piece of work that does not shy away from violence, shock and action. It's simple and fast paced, though looked. Thrilling and action-packed, Assault on Precinct 13 is a well-crafted and smart remake of the John Carpenter classic. When a prison transport is diverted on New Year's Eve to a shutdown police. Assault on Precinct R | 1h 49min | Action, Crime, Drama | 19 January (USA) | Trailer. 1 VIDEO | 34 IMAGES. A police sergeant must rally the cops and prisoners together to protect themselves on New Year's Eve, just as corrupt policeman surround the station with the intent of killing all to keep their deception in the ranks. Assault on Precinct 13 is a American action thriller film written, directed, scored, and edited by John Carpenter. Austin Stoker stars as a police officer who defends a defunct precinct against a relentless criminal gang, along with Darwin Joston as a convicted murderer who helps him. Die beiden 4. Advent Gifs Kostenlos, die die Gefangenen begleitet haben, sterben. Ohne Anmeldung wird Ihre Rezension anonym Auf!Keinen!Fall!. Die Schauspielerleistungen sind allesamt sehr solide und keiner fällt hier negativ auf. That the film Die Nackte Kanone 3 often so quickly edited and dark makes it too often difficult to see what's going on in the action scenes. You must be Selbstmordwald registered user to use the IMDb rating plugin. Get a sneak peek of the new version of this page. Chang describes the film. His use of motifs, Monstrum in an almost trance-like repetition, is similar too, and just as effective as, both Bernard Herrmann and Ennio Morricone. The film eventually received an R rating [15] and Bachelor 2021 Daniel a running time of 91 minutes. It has many references to the films of Howard Guardians.Of.The.Tomb. The brutal shooting near the beginning of the original film, which sets off the whole sequence of events, was dropped--that thread was completely removed from the film. As a result of the film, John Carpenter went on to work with producer Irwin Yablans on Halloweenthe most successful film of Carpenter's career. Get a sneak peek of the new version Guardians.Of.The.Tomb this page. The other criminals in the film are either left largely unexplained or guilty of only petty or consensual crimes. Former Marine and Detroit Filme Mit Walen Department 's Shoujo-Tachi Wa Kouya Wo Mezasu Jake Roenick leads a squad of undercover police officers in drug sting that fails.

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Roenick und Bishop können in einen nahegelegenen Wald flüchten, K Project gelingt es ihnen nicht, den mit Nachtsichtgeräten ausgerüsteten korrupten Polizisten zu entkommen. Clear your history. Kathy's father, Lawson, pursues and kills the warlord and the other gang members chase him into Rechtspopulismus In Europa Anderson precinct. Navigation menu Personal tools Not logged in Talk Contributions Create account Log in. Image Entertainment. Full Cast and Crew.

Douglas Knapp's color cinematography is crisp, innovative I just love the shot with the camera mounted in front of the car headlight, with the sunset in the background and marvelously portrays Los Angeles as a gritty, suburban wasteland as well, if not better, than any other film I can think of.

What makes it effective isn't over-the-top, run down buildings and heavily populated streets, but vast, wide-open spaces, with squat, nondescript houses and buildings, all fading into nothingness.

Knapp even manages to make the streets look like this, and a couple scenes are set in what is effectively a sand-logged desert, with a lonely, dangerous phone booth sitting in isolation.

The police station also reflects the suburban wasteland look in terms of its spaces and their relationship to each other, its sparseness and its colors.

The low budget nature of the film forced a very successful straightforward, brutal and realistic approach to the action, especially the violence.

Carpenter, on his commentary track on the DVD, notes that some scenes weren't as he would have liked because they didn't have the coverage they needed, and had to let them play out, longer than normal, from a single angle.

Thank the heavens for a lack of time and funding! Despite the over-the-top mayhem in subsequent action films by other directors, the impact of many of the scenes in this film cannot be topped, and it's often because of the unusual, almost documentary-like feel of the film.

Also adding to the effect is Carpenter's score. Although it's technically primitive, it's just as good as any of his other music, and Carpenter is as talented as a film composer as he is as a director.

His use of motifs, often in an almost trance-like repetition, is similar too, and just as effective as, both Bernard Herrmann and Ennio Morricone.

The performances are all excellent, and the staging is even better. If you know anything about the premise of the film before you begin watching it for the first time, you may have difficulty figuring out how they're going to pull off the central situation of the film.

The logistics seem to be against creating a prolonged tense situation. Carpenter and company create the perfect scenario with just a couple ingenious moves, and the unending threat, combined with the unusual pacing of the zombie-like menace make Assault on Precinct 13 as frightening as any horror film could be.

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Title: Assault on Precinct 13 On New Year's Eve, inside a police station that's about to be closed for good, Officer Jake Roenick must cobble together a force made up of cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop.

Written by IMDb Editors. A remake of John Carpenter's superior film of the same title from , Assault on Precinct 13 concerns a siege on a largely abandoned police station, which is related to the presence of a notorious criminal, Marion Bishop Laurence Fishburne.

It's left up to a ragtag group of police employees and criminals to defend themselves. I should start by noting that I absolutely love Carpenter's original film.

In my view it is one of his best, perfectly capturing the suburban desolation of s Los Angeles, and exquisitely suspenseful and horrifying, even though it's not really a horror film.

Despite that, when this remake of Assault on Precinct 13 began, I had high hopes for it. The first scene is well directed, well shot, with excellent dialogue.

It turns into an intense action scene at just the right moment, and results in some realistic, gritty deaths. The opening is as good as anything in the Carpenter film.

Unfortunately, Assault on Precinct 13's excellence ended right there. It's not exactly a bad film--I enjoyed it more often than not, but it does have more than its share of flaws.

In the end, my rating average out to a 7 out of Recommendable, but with reservations. The first problem is that director Jean-Francois Richet tries to do too much--too much backstory, too many characters, too many over-the-top characters, too many quick cuts, too much shaky hand-held camera work, too many "big action moves", too many explosions, too many settings, and it's too dark.

That the film is often so quickly edited and dark makes it too often difficult to see what's going on in the action scenes. Carpenter's film succeeded by being very taut, economical, sober and logical in its directorial style.

Richet tries to one-up the original by forgoing all of those qualities. By the second or third scene, I was fairly confused.

Superfluous characters were popping in and out, people were mumbling dialogue, and there was a whole complex backstory being hinted at and not spelled out very well.

The brutal shooting near the beginning of the original film, which sets off the whole sequence of events, was dropped--that thread was completely removed from the film.

It was lamentable in that this new Assault loses much of the simple, sensible drive the thread provided, and it was surely a decision based on political correctness.

Likewise, Bishop is not allowed to be a clear-cut bad guy here. That saps some of the effectiveness out of his cooperation.

In this film, he might be mostly tough talk. The other criminals in the film are either left largely unexplained or guilty of only petty or consensual crimes.

I find this kind of political correctness in films reprehensible, although I realize it's primarily a studio decision. On the positive side, the villains here were cleverly conceived, and their nature makes them much more menacing physically.

On the negative side, however, Richet lost the Night of the Living Dead zombie-like nature of the marauders, which saps suspense from the attacks.

The logistics of the defense of the police station and details of their dilemma are not very clearly scripted or staged, either, which doesn't help.

At the same time, the rest of the defenders are also planning to use the vehicle, with Anna and Sabian volunteering to be the driver and "gunman" in an effort to get help.

Beck and Smiley happen to sneak out first and get killed by Duvall's men, providing a distraction for Anna and Sabian to get away.

Duvall, anticipating this, had Kahane, his second in command, lie in wait in the vehicle. Kahane kills Anna, then Duvall kills Sabian after she refuses to help him.

With only five defenders left alive, Roenick and Bishop decide to take action instead of waiting for another attack. When someone inside unlocks the back door, they suspect Capra to be a mole for Duvall and put him in handcuffs.

The snowfall subsides just enough to allow Duvall to call in some corrupt SWAT officers by helicopter, who land on the roof of Precinct The defenders set fire to the station to cover their escape and flee through a utilities tunnel underneath the building.

Emerging from the tunnel, they find themselves surrounded by Duvall's men. O'Shea confesses that he assisted Duvall, preferring to side with corrupt policemen than a career criminal like Bishop.

As Duvall prepares to execute the rest, Bishop secretly plants a flash bang grenade on O'Shea, injuring him. In the confusion, Iris and Capra flee in Duvall's SUV.

Kahane shoots out the tires, knocking Capra unconscious in the crash, and then moves in to finish off Iris.

However, she manages to kill him after a struggle. Duvall chases Roenick and Bishop into a nearby forest where they work together to counterattack, killing Duvall's remaining forces.

Duvall wounds both of them before Roenick finally manages to kill Duvall. Bishop, the more mobile of the two, takes Roenick's gun and flees, with Roenick promising to personally arrest him in the future.

When Iris arrives with police and firemen, Roenick claims that only he and Duvall's gang are present, effectively granting Bishop a getaway.

Roenick and Iris leave the forest as the sun rises, and she observes that Roenick was "a whole different kind of badass last night".

Roenick agrees, stating that he's "back". When the gang members cut the station's electricity and begin a second wave of shooting, Bishop sends Leigh to release Wells and Wilson, and they help Bishop and Leigh repel an attempted invasion, though Julie is killed in the firefight.

Meanwhile, the gang members remove all evidence of the skirmish to avoid attracting outside attention. Bishop hopes that someone has heard the police weapons firing, but the neighborhood is too sparsely populated for nearby residents to pinpoint the location of the noise.

Wells is chosen to sneak out of the precinct through the sewer line and hot-wire a car, but is killed by a gang member hiding in the back seat.

However, two police officers responding to reports of gunfire find the dead body of a telephone repairman hanging from a pole near the police station and call for backup.

As the gang rallies for an all-out final assault, Wilson, Leigh, and Bishop retreat to the basement, taking the still-catatonic Lawson with them. The gang then storms the building and rushes the survivors, who protect themselves with a large, durable sign.

Bishop shoots a tank full of acetylene gas, which explodes and kills all the gang members in the basement. The remainder of the gang flees as more police support arrives to secure the station.

Venturing down into the basement, the police officers find dozens of dead and badly-burned gang members strewn about the hallway; the only survivors are Bishop, Leigh, Wilson, and Lawson.

Lawson is wheeled out on a stretcher, while Leigh refuses medical help for the gunshot wound in her arm and walks off.

An officer tries to cuff Wilson, but Bishop angrily stops him and asks Wilson to walk out of the station with him.

Following the release of Dark Star , Assault and a second script entitled Eyes were supposed to be two low-budget films written and directed by John Carpenter, with financing by J.

Stein Kaplan. After reviewing the first draft of Assault and following the sale of the script Eyes to Barbra Streisand and Jon Peters , later renamed Eyes of Laura Mars , Kaplan and Kaufman concentrated on just Assault.

Stein Kaplan was a friend of mine from USC ," said Carpenter. The two families of the producers formed the CKK Corporation to finance the film.

Chance " for his original version of script, entitled The Anderson Alamo , but he used his own name for the writing credit on the completed film.

Carpenter's script makes many allusions to film history and inspirations for this film. It has many references to the films of Howard Hawks.

For example, the character of Leigh, played by Laurie Zimmer , was a reference to Rio Bravo writer Leigh Brackett. Assault underwent several months of preproduction.

The two leads were Austin Stoker, who had appeared previously in Battle for the Planet of the Apes and Sheba, Baby , and Darwin Joston, who had worked primarily in television and was also Carpenter's next-door neighbor.

Behind the scenes, Carpenter worked with cinematographer Douglas Knapp a fellow USC student , [7] art director Tommy Lee Wallace , sound mixer Bill Varney [11] and property master Craig Stearns.

It was typical of John during those lean days. He made the very best of whatever talent and facilities he had around him. Two weeks of shooting indoors were followed by two weeks on-location.

The first scene, in which several gang members of Street Thunder are gunned down by cops, was shot at USC. The gang members were played by USC students, who Carpenter remembered had a lot of fun finding ways of dying while spilling blood over themselves.

This looked like a zillion dollars. This looked like a real movie. One of the film's distinctive features is its score, written in three days by John Carpenter [9] and performed by Carpenter and Tommy Lee Wallace.

The main title theme, partially inspired by both Lalo Schifrin 's score to Dirty Harry and Led Zeppelin 's " Immigrant Song ", [19] is composed of a pop synthesizer riff with a drum machine underneath that "builds only in texture, but not thematically," according to David Burnand and Miguel Mera.

A held, high synthesizer note, with no other changes except inner frequency modulations, becomes the musical motif of the gang members, and reoccurs during certain violent acts in the film.

In the film, synthesizers and drum machines represent the city and the gang. Carpenter also uses a plaintive electric piano theme when Lt.

Bishop first enters the abandoned precinct. It reoccurs in the film during the quiet moments of the siege, becoming in effect a musical articulation of rhythm of the siege itself.

Many film critics who praised the film also praised the musical score by Carpenter. As John Kenneth Muir noted, "Carpenter wrote the riveting musical score for Assault The final result was a unique, synthetic sound that is still quite catchy, even after 20 years … Delightfully, it even serves as a counterpoint in one important scene.

A vocal version of the theme, titled You Can't Fight It , with lyrics and production by Kenny Lynch , was recorded by Trinidad singer Jimmy Chambers and released in the UK as a 45 on the Pye label in April , but it failed to chart and is now a rare item.

Beyond its use in the film, the score is often cited as an influence on various electronic and hip hop artists with its main title theme being sampled by artists including Afrika Bambaataa , Tricky , Dead Prez , and Bomb the Bass.

Despite this influence, except for a few compilation appearances, [5] : — the film's score remained available only in bootleg form until , when it was given an official release through the French label, Record Makers.

Carpenter edited the film using the pseudonym John T. Chance, the name of John Wayne 's character in Rio Bravo ; his frequent collaborator Debra Hill served as assistant editor.

One mistake Carpenter was not proud of was one shot "cut out of frame", which means the cut is made within the frame so a viewer can see it. Assault was shot on Panavision , which takes up the entire negative, and edited on Moviola , which cannot show the whole image, so if a cut was made improperly i.

In the end, it did not matter because he said, "It was so dark, no one could see it, thank God! Tommy Lee Wallace , the film's art director, spoke admiringly about Carpenter during post.

The answer, of course, was 'Sure! Finally, he insisted we get the best post-production sound money could buy, which was Samuel Goldwyn Sound, another legend.

The expense for this unorthodox approach ate up a huge amount of the budget. The production manager fumed that we were exploiting people to pay for processing— and it was true.

Although the film's title is Assault on Precinct 13 , the action mainly takes place in a police station referred to as Precinct 9, Division 13, by Bishop's staff sergeant over the radio.

The film's distributor was responsible for the misnomer. Carpenter originally called the film The Anderson Alamo [5] before briefly changing the title to The Siege to shop to distributors.

The moniker "Precinct 13" was used to give the new title a more ominous tone. The film was released in Germany on September 3, , under the title Assault — Anschlag bei Nacht , or Assault—Attack at Night.

The most infamous scene in the movie occurs when a gang member casually shoots a little girl Kathy standing near an ice-cream truck, with her death being shown in graphic, bloody detail.

The MPAA , headed by Richard Heffner at the time, threatened to give the film an X rating if the scene were not cut. The film eventually received an R rating [15] and has a running time of 91 minutes.

Assault was first released in Los Angeles at the State Theater on November 3, , to mixed reviews and unimpressive box-office earnings.

Assault On Precinct 13
Assault On Precinct 13 Assault on Precinct minutes. Drama. Add to Wishlist. $ Rent HD. $ $ Buy. Ethan Hawke and Laurence Fishburne lead an all-star cast in this thriller about two men on opposite sides of the law battling an enemy who doesn't follow the code of cop and criminal. Read more.

Du wirst es kaum erwarten knnen, sind sich noch nicht Assault On Precinct 13 Jim Jarmush. - John Carpenter: Assault On Precinct 13/The Fog (Limited-Edition) (Picture Disc)

Als der Kollege Biathlon Sprint Damen Capra auftaucht und sich mit Roenicks Hilfe nur mit Not aus dem Kugelhagel ins Gebäude retten kann, wird er zunächst für M2k Movie Komplizen der Angreifer gehalten — von Roenick jedoch verteidigt.



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